Hand Made Italian Ceramics: how to spot a fake

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Before finishing the work of his life and paying an incredibly low price for what looks like a wonderful piece of Italian Dinnerware, stop and read these simple guidelines.Believe me, the shops are full of rubbish.

Many good ceramic products made on machines and are sold as Italian Pottery, perhaps, from respected regions, like Datura.

Finding a falsification can be quite easy. Follow these simple steps.

1 – Rotate the Italian ceramic part that interests you up and make sure there is an un mated area.

This area, usually a circle, shows a natural color brown-orange terracotta (biscuit). Bisk is sometimes made of gray white clay, often used for small pieces, but is always clearly visible.

Now you will wonder why this detail is so important.

Let me remind you how a modest terracotta turns into invaluable Italian Pottery. Prior to effective hand painting, the master deeply immersed the terracotta in a sieve containing quick-drying liquid icing. This fine powder will prevent color

The paint becomes very sticky during cooking. That’s why an expert artist assures that his great Italian ceramic products do not touch during filming and carefully remove the enamel from their base.

2 – Touch the glaze area. This should be difficult.

If it is white and smooth, they are not the original Italian Pottery of traditional materials and technology.

Sometimes you can still find the sign of a long clip that is used by artisans for its pottery ictus: the two tiny points, which are usually located close to the bits of the board.

3 – The brushes must be visible.

Italian ceramics are always painted by hand, and if you look closely, you will see simple channels that contribute to the beauty and art of your room.

You will never forget the look of the Renaissance portrait, and it will be difficult to believe these colorful and animated characters painted by no more than 4 or 5 colors.

My suggestion: Take a look at Italian ceramics as much as possible.

Surf the Internet, read books, visit museums, visit exhibitions, visit shops in your city, and touch them. Your senses will get used to their patterns, their shapes, their appearance, and their feelings. And in a few years your experience will match your passion.

Meanwhile, if you want to create your own Italian Dinnerware collection, buy from an esteemed reseller. Someone who wants to tell you more about the song than on his award, who is happy to spend time teaching those who know the artist’s name and offers a clear return policy.

About a year ago Manuela and I decided to change our professional life and transform our passion into a real job.

We spent a great deal of time visiting the most famous Italian ceramic centers to choose the portions of dishes, plates and decorations that we liked the most.

Life is tough, you have to think.

We have collected over 4000 beautiful Italian hand-made ceramic products from Italy’s most talented artists. Look at him. You will also find information on the history of Italian Dinnerware, traditions and production and much more. You will enjoy every minute. http://www.artistica.com


Tips for Entertaining a Large Crowd

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Have you offered to host a large crowd to celebrate a special occasion? Thanks to your generosity and efforts, a great many people are about to enjoy a spectacular evening. Whether you’re commemorating a birthday, kicking off wedding festivities or celebrating a well-earned retirement, follow these tips for entertaining a large crowd from professional event planners and seasoned caterers. You event is sure to be a hit.

The first steps are to define your budget, set your dates and assemble your guest list. If this is a casual event and your guest list is large, it’s perfectly acceptable to send eVites. There are a multitude of websites that offer free templates and dashboards that keep track of invitees that have opened the eVite as well as a tally of responses. This takes the huge task off the host for keeping up with guests’ responses.

The easiest way to entertain a large crowd is to set up a buffet. A buffet can set the stage for a more casual event and allows guest to circulate and help themselves. If you have a separate dining room, this is the ideal location for a buffet. Place half of the dinner plates at either end of the table to allow guests to approach the buffet from either side. Select a centerpiece from cuttings from your garden or an arrangement from a florist. Position serving platters on the buffet a few days in advance in order to determine necessary spacing. Have serving utensils available on the table. Roll flatware in napkins to make it easier for guests to retrieve.

You don’t need to be an executive chef or hire an expensive catered to prepare dinner for a large crowd. The trick is to depend on recipes that you can easily master in advance. If it’s a crowd pleaser for your family, it will certainly work for this event. Consider taking advantage of the awesome deals offered by Groupon coupons and order an assortment of fabulous steaks from Omaha Steaks. Enlist a capable family member or close friend to oversee the grilling. Add a toss salad, fresh bread and a baked potatoes with a selection of toppings and you have a fabulous menu with limited work that sure to be a crowd pleaser!

Finally, set up a bar in a separate location. The kitchen table is ideal. Have a selection of alcoholic and non-alcoholic drinks available from which guests can select. Stock up on ice and extra glasses and you’ve set the stage for successfully entertaining a large crowd.


Italian Textured Pottery Techniques

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Italian Pottery is something that you may look for or have in your personal pottery collection. Those appealing textures can be created in a variety of ways.

You may be interested in knowing how the variety of textures is achieved through the various steps of the creative process:

  • During the forming process, texture can be applied to the pot once the general shape and rim have been created. Roulette is a technique which creates texture using a gear or similar tool on the surface of the pot while the wheel is turning. Once the process of Roulette is completed the pot can be pushed out and reshaped by using a tool to apply pressure from the inside.
  • Chattering creates a texture on a completely formed and dryer pot. This method uses a flexible metal tool. The appearance of the final product is determined by the speed of the wheel and the pressure placed on the tool. A slow speed on the wheel increases the spacing between the lines created, the faster the speed of the wheel the closer the marks.
  • Stamping can be used on both wheel created pots, slabs, and other hand building techniques. Many clay artists will create their personal stamps with found objects, a variety of household items, or may carve them from clay. Different textures can be achieved through the use of rope, a fluting tool, textured rollers, and textured mats.

Appliqué creates a raised texture on the pots

Pieces can be cut individually and attached to partially dried or leather hard Italian Potteryand green ware to form a pattern. Slip can be applied to the pottery pieces when some drying has occurred creating exciting patterns in a variety of colors as well as a raised texture.

Carving is another technique and requires some skill

The piece should be leather hard for the best results. Swirls, pattern, and pictures can be created depending on the skill and the preference of the artist. Sgraffito is a specialized technique in which slip of one color is used over the pot built from another color of clay. When the piece is carved it shows the color of the clay beneath the slip to create the pattern.

Carving can also be used to form a press mold

Once the original pattern is carved it can be transferred to a plaster cast or clay which is then fired creating a mold which can be used again and again.

Made in Italy

So it is with the Raffaellesco “collection” and other ceramic collections “Made in Italy.” Artistic renditions make a difference. The production process and techniques, attention to detail, devotion to tradition and legacy, all affect the resultant, authentic product and its value. The outcome is handmade, hand painted works of art, the “canvasses” upon which you may present your pasta, grilled vegetables, pot roast or hamburgers and with which you may linger while you sip your espresso or tea.

And, if after dinner you return those Italian pieces to a prominent perch in a glass-fronted cabinet or on a wall, that’s perfect. After all, it is functional art, made to give you elation and visceral pleasure however you choose to live with Italian Dinnerware.


Hand Painted Italian Pottery vs. Decals

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Italian Dinnerware

From time to time, I find people asking for Italian Pottery cost and get surprised of some of the items online. You will be astonished to learn $30 for a mug, but why is the price so high?

Handmade Italian Pottery

Regarding handmade, hand-painted Italian Pottery commonly called Maiolica is considered more expensive than low-fired, machine-made pottery. You have to pay high, as it was not stamped from a mould. It was carefully turned on a potter’s wheel by hand, high-fired, dipped in white glaze, then hand-painted and adding various pigments that are coated with clear glaze to protect the designs.

They are even hand-fired a second time or even a third time for extra durability.  Considering that much work for one item it has to cost a fortune.

Living wage for its artisans

If we believe these facts and processes, the Italian pottery offers a living wage for its artisans. 38 dollars for such a beautiful mug, a handmade piece of functional art from which you enjoy your day to day rituals of sipping morning coffee sound like a reasonable investment. Find out more in this site : http://www.artistica.com/

It is worth paying more for a luxury item, one that will bring joy each time you put it into use.

Find cheaper imitations

If the cost worries you, you can always find limitations of Italian pottery out there. First, know what you are buying and buying from who. Don’t buy from stores who outsource from companies that use decals to maximise profits rather than painting the piece entirely by hand.

Decal decorations from a distance or untrained eye can appear to be hand painted. A closer examination will reveal identical “totally imperfections” from Dinnerware t Dinnerware.

What to consider when buying  Italian Dinnerware?

In many cases, the workshops that are using markers have the decals applied in China and the pottery is then sent to Italy, where an encounter stroke or two may be added (often by non-Italian workers!) so they can claim that their pottery is “handcrafted in Italy”.

This is an unsuccessful and very deceitful thing that is stylish in the Italian pottery domain these days, but you do not have to become a victim of false advertising. Fortunately, if you know what to look for and trust the people you buy from, you can avoid being duped.

History of Italian pottery

Italian pottery is beautiful art, refined over hundreds of years through inspired artistry in the expert hands of highly skilled Italian artisans. The rich history of quality Italian artistry is the basis for this beautiful art, and artisans have devoted years to their training to perfect their techniques.

This attention to detail and incredible skill is evident in our portrayal plates and urns, our great platters, and our tableware from DerutaUmbria, and Tuscany.

To conclude:

Watching any portion of production, even if you have read about it lengthily or seen it before, is always a head-shaking knowledge. The craftsmanship, the techniques, and emotional intensity endowed in this ancient multi-stage creation process thrills and boggled the mind for Italian Pottery.


Rich pottery culture of Italy

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Italian pottery is offering the best and finest imported pottery and volcanic tables at very low discounted prices. Our family scours Italian countryside are searching for very interesting and creative Italian ceramic pattern and designs, and Italians are proud in bringing their hand-painted and handmade ceramic delights. The ceramics used are imported are defined as Majolica. If an item in needed to be well considered then it should be made of European red clay. Items are dried after being fired for the first time, dipped it a white chalky coating over which freehand design can be painted entirely with glazes of lead-free mineral. To bring out the color of various minerals, it is fired once more. Italians can carry the largest collection of handmade, quality and hand-decorated Italian ceramics and some volcanic tables in the west, which is used to provide very beautiful and unique items for homes and gardens. Italian extensive selections come from Tuscany, Umbria, Sicily and many other regions of Italy also. Mostly it is bought from small workshops where artisans work with their families to produce individual works of art using techniques handed down by many generations. Many of the designs featured are having date back countless generations. Renaissance artwork is also a source of derivation. Most factories are using similar color palette. Perfectly set table is created by the complement of majority of the Italian pieces beautifully. To this day, we are taking a lot of pride in offering these unique,beautiful and individual works of art.Italian pottery is having following some basic items:

  • Umbria
  • Deruta
  • Amalfi
  • Parrucca
  • Leona
  • Ornato
  • Giardino
  • One of a kind
  • Cortile
  • Quadri
  • Bellarte
  • And many more

A list of Italian dinnerware is ordered worldwide. Italian cuisine has been developed through a lot of centuries of political and social changes which is having roots as far as fourth century BC. Significant changes have occurred after the discovery of New World and introduction of bell peppers, maize, tomatoes and potatoes.

Rosters history in Italian dinnerware:

The origin of rooster Italian dinnerware pitcher is as old as Renaissance time in the republic of Florence which was under the influence of Medici Family. At that time Medici was very powerful and wealthy family in the republic with their enemy being Pazzi family. At that time Pazzi were trying their best to take control over the power but the only way they knew was assassination. Medici always liked to throw parties for whole villages. Giuliano was known for his parties. The pazzi was planning to kill the Giuliano and his guards after a festival, when everybody will be good and drunk. In fall 1478, Giuliana went to gallina to throw a party and festival. The assassin hired by the pazzi would have succeeded except the assassins needed to cross the rooster yard to get in to the village. At the sound of intruders, all roosters started to crow in such frenzy way that guards and Giuliano woke up. This resulted in capturing of the assassins. The assassins were executed eventually.


Decorative Pottery That You Might Like to Have

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Decorative Pottery That You Might Like to Have

When it comes to finding the right pottery art for your growing collection, there are some real interesting pieces available that any collector can purchase. What is it you are looking for? Are you interested in Greek, Roman, or Renaissance pieces? The question you need to ask yourself is how you define what you are seeking to place in your collection. Art pottery, no matter the product, either pots, bowls, or any other turned pieces, hand painted and glazed works can be unbelievably expensive. However, they are antique pieces. If you are looking something that is vintage without being part of ancient Rome or Greece, there are still a considerable amount of pieces more recently created that can be part of your beautiful collection and at a more affordable price. Defining your collection is key to the work you want.

Dinnerware, kitchenware, and decorative pieces from any era are perfect for collections. Potteries from eighty to hundred years ago are reasonable for private collections. If you are looking for recent works, often pottery released through department stores from the early 1900s have wonderful pieces from anonymous artists. Department stores in the beginning of the 1900s had catalogs full of beautiful pieces of artwork that were commissioned and limited to certain amounts. Since the work was likely mass produced but with a limited batch, many of the pieces either didn’t sell during the original production, or people have gotten rid of their collections over the years from passing relatives, or estate sales. for further details, visit :http://www.decorativepottery.com/

Decorative Pottery That You Might Like to Have

Decorative pottery from department stores have intricate designs and things like cake plates or pitchers are larger works and often show up on tabletops during holidays. Sometimes the pieces are smaller and usually removed from collections and piece mealed off. Many of the decorative catalog pieces are available through flea markets or antique stores. However, the best way to find particular catalog pieces is garage sales. Many people don’t know what they have and are willing to part with the pottery at a lower price than it would be valued at a higher end shop. Don’t take advantage of the person selling at a flea market or yard sale, if you know you have an item you’re getting for a steal, it’s best to purchase at sticker price and walk away.

Vases are usually easier to find and are generally less pricey. Looking for the product to fit your collective eye is not something you have to worry about – even on a budget. It’s about what makes you feel good about the piece and keeping it within a price range that isn’t going to break your bank. Purchasing the right piece for the collection isn’t about themes as it is how the work makes you feel. You can pay any price for artwork. Knowing about the work, its history, or the artist might be substantial for some people for conversation sake; but sentiment over price is best. Just consider what price is too much for the artwork. Make the right decision and just remember, that sometimes being patient will win you a great piece for your collection at the right price.


Ceramics & Pottery: Techniques, Lessons and Tutorials

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Ceramics & Pottery Techniques, Lessons and Tutorials

Whether you are an amateur, novice, or expert potter, learning something new about the medium you love will sometimes breathe fresh life into the work. Ceramics and pottery is a medium that has layers of potential. Since the Internet is an excellent way to revitalize your passion for pottery and ceramics, viewing other potters and their styles, allows you to hone your techniques through other master potters sharing their methods. Here are a few lessons you can make your own and help polish your love of ceramics and pottery.

Choosing the Medium:

Different master potters have different ideas when it comes to what is the best clay for pottery. Often the ‘right’ clay depends on the potter. Each artisan has certain techniques and materials that work best for them. Finding the right material takes time and some trial and errors. The strength of the clay will determine how well it can withstand turning. More malleable clay is not recommended for the wheel, because it may be easy to turn, shape, and carve; however, the thinner the work, dish, pot, or vase, the more likely the material will not tolerate the thinning walls. So make sure you know the firmness of the clay. click here for more information.

Ceramics & Pottery Techniques, Lessons and Tutorials

Another consideration to keep in mind is how well the clay can absorb water while turning. Wheel pottery is unique to its ability to absorption water over time. If the clay becomes saturated too quickly, then you will beleft with aweakening of the work and even if the clay started out durable, it could easilyfold in on itself and collapse. Sometimes, the hardest clays are not necessarily the best because earthen clay is likely to be starved of water and once it’sintroduced to water,the results could prove disastrous to the work. Test the clay in small doses before you attempt your masterpiece. to know more , visit :  http://pottery.about.com/od/meetingpotters/tp/pots101.htm

Throwing:

The size of the wheel,will determine how large the ball of clay you can turn at a time can be. Make sure to know the limits of the wheel because an unbalanced wheel will turn the clay poorly. Make sure you know the limits and test the wheel.

Removing the Work:

A good practice to have when it comes to working clay on the wheel is to add a ‘foot’ to the work. A foot is a part of the clay bowl, pot, or vase that is intentionally left at the base of the work. This allows the potter to turn the work and leave a small amount of clay that attaches to the wheel. Prepare the foot by adding a groove that is nearest to the wheelbase and the clay bottom. This groove will allow you to use a thin gauged wire to pull along the base of the wheel and the clay, proving a clean line to cut the clay off the wheel. Make sure to use water to lubricate the base to help ease the wire through the clay. Once the wire has passed all the way through the clay, you can slide the work off the wheel.


6 Tips to Help You Master Pottery Glazing

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6 Tips to Help You Master Pottery Glazing

The reason why pottery from 552 A.D.on wards has survived the centuries because potters learned that in order to preserve their work they had to coat the pottery with something that would not allow the elements to destroy the artwork. Glazed pottery items were found in Egyptian tombs dating back 8,000 B.C. Pottery glaze started as a way to preserve the pottery, to make permeated surfaces impenetrable. Since the beginning, master potters have come up with several variations of glaze and glazing techniques. Here are a few suggestions that could make your pottery glaze go a little easier: for further details, click here.

  1. Often the least favorite work for many potters, it is the most important because it protects their work from the elements. If you want the consistent coating to the pieces, it is important to remove any burrs. Burrs will create inconsistencies in the pottery and allow areas of the ceramic exposed even after firing. These areas are minute and after firing will expand because the clay and glaze bond and shrink when heated. Make sure the area is well free of burrs, and you will have a fluid form for the glaze application. Silicon carbide paper is best for pottery.

6 Tips to Help You Master Pottery Glazing

  1. While burrs in the pottery can be problematic, divots will cause just as much harm for the work. When turned pieces are left too wet, the water will ripple the surface of the clay and create divots that may not show up immediately after the work is complete. Make sure you inspect the pieces for ‘holes’ in the surface. Burrs can be removed with fine grain sandpaper or brushes, holes or divots can’t be filled in because the clay will not join properly with turned pottery. Holes need more care when it comes to glazing. click here for related information.
  2. Sloppy glazing will ruin a work because it causes areas of the pottery to have a thinner membrane of glaze which causes areas to pull apart during firing. When fissures form in the glaze it is possible to recoat the areas.However, since the bonding of glaze happens during the heating process, it is likely the new varnish coat will not bond to the heated glaze and the second layer will be apparent after a second firing.
  3. Interior verses exterior glazing. It is best if you glaze the interior of the pottery before glazing the surface. The coating on the inside of the pottery will be difficult if you are unable to ensure the rim of the work has a complete layer. Make sure the excess glaze at the bottom of the work is removed to allow for even coating.
  4. The exterior is a focus of glazing, and you should take care when applying glazes. Always inspect the piece for in consistence in the work that will interfere with the glaze application. It is vital that the entire piece has a seamless coating of glaze. Any area that has a sharp edge will cut the glaze as it is fired.
  5. The application of glaze, dip, poured, or brushed on can only be determined by the potter. Each of the applications is right, but only the potter knows which they are most comfortable using. Try each of them to decide which is best.

Tips for Choosing a Pottery Wheel

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Tips for Choosing a Pottery Wheel

There are a few things to consider when choosing the right pottery wheel. Make sure you have all the tools you need when it comes to making the perfect wheel creation. Sponges, water bucket, wire tools, needle tools, cut rubber pieces, wooden ribs, and a shammy. But before you pick the right clay for your wheel, you want to make sure you have a wheel bat. The wheel bat serves as the tool used to remove the clay creations easily from the wheelbase. The wheel bats are made from different items, but it’s important to make sure the bat does not stick to the clay. The throwing clay directly on the wheel head is fine, but it will be impossible to remove the finished work.

When it comes to the right pottery wheel, it has to do with a few factors. How much do you want to pay for the tool, and what is the right tool for you? What size wheel do you want? A 14” for a pottery wheel is the average size. If you are looking for working a particular size that is less than 50lbs of clay at a time, then the wheel needs to have an adequate motor mount, and the wheel itself needs to be completely secure. There needs to be no movement from the wheel because it can unbalance the symmetry of the work.

Tips for Choosing a Pottery Wheel

Make sure your pottery wheel has a reverse switch. Trimming from clockwise to counterclockwise will create a change in the workstation and about the artist to manipulate the clay alternatively. There is a special consideration when it comes to the horsepower of the motor. Make sure you do a little research for the specs on the motor, so the strength can turn the weight of the clay you want to work. Large motors will keep cooler longer and given the right workspace; your wheel will keep balanced and turn at the speed needed for the right project.

Make sure the wheelbase as holes for mounting the bats. When the wheel bat is fitted on the base, it will not throw the clay off balance. A balanced, mounted, large motored pottery wheel will make the perfect tool for the flourishing artist. The workplace is essential for any job. When it comes to hobbies, if you’re just a budding pottery master, you will need enough space around the wheel to make sure if you get spinning mud on it (and you will get splashing clay on every surface) you can clean it easily. It’s good to have a large open area for working. for more related information, visit :http://www.smith.edu/hsc/museum/ancient_inventions/potterwheel2.html

If the motor is noisy, you might want to consider ear protection. There are motors that have less whine, but they are usually more expensive. The next consideration is whether you want electric or kick wheel. However, a kick wheel can cost a considerable more than an electric start. If you want something portable, you will need to make sure you either have help moving the wheel safely, or get a wheel that is not as heavy.