Whether you are an amateur, novice, or expert potter, learning something new about the medium you love will sometimes breathe fresh life into the work. Ceramics and pottery is a medium that has layers of potential. Since the Internet is an excellent way to revitalize your passion for pottery and ceramics, viewing other potters and their styles, allows you to hone your techniques through other master potters sharing their methods. Here are a few lessons you can make your own and help polish your love of ceramics and pottery.
Choosing the Medium:
Different master potters have different ideas when it comes to what is the best clay for pottery. Often the ‘right’ clay depends on the potter. Each artisan has certain techniques and materials that work best for them. Finding the right material takes time and some trial and errors. The strength of the clay will determine how well it can withstand turning. More malleable clay is not recommended for the wheel, because it may be easy to turn, shape, and carve; however, the thinner the work, dish, pot, or vase, the more likely the material will not tolerate the thinning walls. So make sure you know the firmness of the clay. click here for more information.
Another consideration to keep in mind is how well the clay can absorb water while turning. Wheel pottery is unique to its ability to absorption water over time. If the clay becomes saturated too quickly, then you will beleft with aweakening of the work and even if the clay started out durable, it could easilyfold in on itself and collapse. Sometimes, the hardest clays are not necessarily the best because earthen clay is likely to be starved of water and once it’sintroduced to water,the results could prove disastrous to the work. Test the clay in small doses before you attempt your masterpiece. to know more , visit : http://pottery.about.com/od/meetingpotters/tp/pots101.htm
The size of the wheel,will determine how large the ball of clay you can turn at a time can be. Make sure to know the limits of the wheel because an unbalanced wheel will turn the clay poorly. Make sure you know the limits and test the wheel.
Removing the Work:
A good practice to have when it comes to working clay on the wheel is to add a ‘foot’ to the work. A foot is a part of the clay bowl, pot, or vase that is intentionally left at the base of the work. This allows the potter to turn the work and leave a small amount of clay that attaches to the wheel. Prepare the foot by adding a groove that is nearest to the wheelbase and the clay bottom. This groove will allow you to use a thin gauged wire to pull along the base of the wheel and the clay, proving a clean line to cut the clay off the wheel. Make sure to use water to lubricate the base to help ease the wire through the clay. Once the wire has passed all the way through the clay, you can slide the work off the wheel.